Today, if you were to visit Jack Kerouac Alley in downtown San Francisco, you’d find a colorful mural painted on the side of the City Lights Bookstore. The mural does not depict the day Bob Dylan strolled the alley with Allen Ginsberg and Lawrence Ferlinghetti, or any of the other literary rebels and artists that are so deeply connected with the bookstore and the space. The mural recreates a piece of community artwork that was destroyed in April 1998 when armed forces violently attacked the indigenous village of Taniperla, a Zapatista community in Chiapas, Mexico. As movement art, the mural is an act of public memory, an act of resistance, a connection with the past and a commitment to a shared vision of the future. With simple colors and its own humble voice, the recreated mural has been speaking out to us and communities of struggle everywhere for years: no estan solos-estamos contigo. You are not alone – we are with you.
Photo of Greg Ruggiero in La Realidad. Photo courtesy of Greg Ruggiero.
But what does that mean? How can anything we do have any impact, really? It’s an important question, one that artists, activists, revolutionaries, and seekers have been asking for ages. When he was doing time in a Birmingham jail, Martin Luther King reflected deeply on similar questions – matters of oppression, struggle, solidarity and pathways to collective emancipation. From his jail cell he wrote: “Injustice anywhere is a threat to justice everywhere. We are caught in an inescapable network of mutuality, tied in a single garment of destiny. Whatever affects one directly, affects all indirectly.” Accepting that view is motivation to act as if every gesture of resistance to oppression were, at some level, transformational, and as if every word we utter to break the silence of complicity with injustice has the capacity to be poetry – poetry as insurgent art.
Subcomandante Mosies, photo by Greg Ruggiero.
Today the mural in Jack Kerouac Alley speaks out and calls on us anew. It speaks now not only of Taniperla, but of La Realidad, another indigenous village where the Zapastista movement runs strong and deep, and where violence and aggression are lashing out against it. Today the mural speaks of new brutality against the families, women, men and children of La Realidad, people who have committed their lives to secure and advance their dignity, freedom, democracy. The mural speaks of a recent paramilitary-style attack that has left many in La Realidad injured and one man brutally murdered, bullet holes in his leg, chest and head. The mural names the fallen man: Galeano – father, teacher, compañero. The mural speaks of tears shed, tears of pain, rage and rebellion against generations of abuse and injustice.
Subcomandante Marcos, August 1999, photo by Greg Ruggiero.
Over the past few days, community leadership from the Zapatista communities have been reaching out in an effort to mobilize international help to end the violence and repression now being waged against them. They call not for more violence, but for freedom from violence. “Our efforts are for peace,” says Subcomandante Marcos, “their efforts are for war.”
Subcomandante Marcos during the Other Campaign, Atizapan. Photo by Greg Ruggiero.
Movement communiqués and updates about the situation can be read on the Enlace Zapatista site here: https://enlacezapatista.ezln.org.mx. English language translations and suggestions on how you can get involved can be found here: https://www.elkilombo.org
Strong movements are made stronger by our acts of solidarity. In the days ahead, I hope you can join us stand in solidarity with the indigenous families and communities of La Realidad and the broader Zapatista autonomous region.
Their dignity and freedom are our dignity and freedom. The voice the mural speaks is also our voice. Injustice anywhere is a threat to justice everywhere.
No estan solos-estamos contigo.
va un abrazo de resistencia y solidaridad,
Greg Ruggiero
Companera Laura, Radio Insurgente. photo by Greg Ruggiero.
Subcomandante Marcos, Comandante Tacho and the EZLN. La Realidad, August 1999. Photo by Greg Ruggiero.
Federal Troops in La Realidad, 1999. Photo by Greg Ruggiero.
We’re not backing down in the face of Trump’s threats.
As Donald Trump is inaugurated a second time, independent media organizations are faced with urgent mandates: Tell the truth more loudly than ever before. Do that work even as our standard modes of distribution (such as social media platforms) are being manipulated and curtailed by forces of fascist repression and ruthless capitalism. Do that work even as journalism and journalists face targeted attacks, including from the government itself. And do that work in community, never forgetting that we’re not shouting into a faceless void – we’re reaching out to real people amid a life-threatening political climate.
Our task is formidable, and it requires us to ground ourselves in our principles, remind ourselves of our utility, dig in and commit.
As a dizzying number of corporate news organizations – either through need or greed – rush to implement new ways to further monetize their content, and others acquiesce to Trump’s wishes, now is a time for movement media-makers to double down on community-first models.
At Truthout, we are reaffirming our commitments on this front: We won’t run ads or have a paywall because we believe that everyone should have access to information, and that access should exist without barriers and free of distractions from craven corporate interests. We recognize the implications for democracy when information-seekers click a link only to find the article trapped behind a paywall or buried on a page with dozens of invasive ads. The laws of capitalism dictate an unending increase in monetization, and much of the media simply follows those laws. Truthout and many of our peers are dedicating ourselves to following other paths – a commitment which feels vital in a moment when corporations are evermore overtly embedded in government.
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