Ladydrawers: Fast Fashion

Part of the Series

Ladydrawers

Today’s Ladydrawers strip kicks off a yearlong investigation into women’s international labor, primarily through the global garment and sex trades. Of course, it starts with fashion – not only the largest employer of women worldwide but one of most significant ways through which sexuality is expressed, in the US and around the world. Fast fashion, in particular: cheap, cute, disposable threads on which we spend about $1,700 per year.

This strip also marks a change in how we work at Ladydrawers: We’ll be working with artists for longer, connecting stories more closely and continuing to innovate comics journalism with our pals at Truthout. Julia Gfrörer will be drawing the next two strips, and Anne Elizabeth Moore will continue to write, partnering with experts in the field at times to bring you the most accurate, intriguing data from around the globe.

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Anne Elizabeth Moore

Anne Elizabeth Moore is a cultural critic and author of several award-winning, best-selling nonfiction books including Unmarketable (The New Press) and Cambodian Grrrl (Cantankerous Titles). She is a Fulbright scholar, a USC Annenberg/Getty Arts Journalism Fellow, and is the recipient of a 2016 Write A House Fellowship in Detroit. Her work has appeared in The Baffler, Al Jazeera, Salon, The Onion, Talking Points Memo, Wilson Quarterly, Tin House, and in international art exhibitions, including the Whitney Biennial and a solo show at the MCA Chicago. She has appeared on CNN, NPR, Voice of America, and in The New York Times, among others. Her most recent book, from Curbside Splendor, is Body Horror: Capitalism, Fear, Misogyny, Jokes.

Julia Gfrörer

Anne Elizabeth Moore is a comics journalist, cultural critic, and author of several award-winning, best-selling nonfiction books including Unmarketable (The New Press), Cambodian Grrrl, and Threadbare (Microcosm Publishing). She is a Fulbright scholar, a USC Annenberg/Getty Arts Journalism Fellow, and is the recipient of a 2016 Write A House Fellowship in Detroit. Her work has appeared in The Baffler, Al Jazeera, Salon, The Onion, Talking Points Memo, Wilson Quarterly, Tin House, and in international art exhibitions, including the Whitney Biennial and a solo show at the MCA Chicago. She has appeared on CNN, NPR, Voice of America, and in The New York Times, among others. Her most recent book, from Curbside Splendor, is Body Horror: Capitalism, Fear, Misogyny, Jokes.

Julia Gfrörer was born in 1982 in Concord, New Hampshire. She lives and works in Portland, Oregon. Her work has appeared in Thickness, Arthur Magazine and Best American Comics, and her graphic novel, Black Is the Color, was published by Fantagraphics in October 2013. Her last name rhymes with despair.